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December 2007 • VOLUME 28 • © HORSES For LIFE™ Magazine You have excelled yourself - again!
How do you find these amazing people - Nevzorov for example - and Karen Rohlf!
Although I cannot agree totally with the former that bits
are instruments of torture - one can ride sympathetically and I could not risk
being out on my 3/4 bred without one - his riding is extraordinary!
Well done you - what a performance! You are magnificent.
Dear
Editor,
Hi Nadja,
Thank you very much for yet another great edition of
your magazine. Kudos to J.C.Racinet for his clarifying
article about the French philosophy of “ease.”
Like I reported in one of the earlier editions,
I had the honor and great pleasure to spend some time at the training
facility of another great French Master, Philippe Karl in France last October to see and learn first
hand what Baucher really meant and practiced. I can
only confirm that following this teaching and trying to even get judges to
understand this kind of “Lightness” seem to be an impossible task. Looks like if you want
to train your horse in the absence of force, you have very little chance in
modern competition.
It does not come as a surprise then, to read about the
latest “ stunt “ by the FEI to approve the new bridle, as presented in your
Nov. edition.
I stand by my statement. Let's change the name of this
kind of “Dressage” into Circus riding! It certainly has nothing to do with the
“art of classical “ training and teaching.
Thank you again for speaking out, we need a voice in
this industry!
Hans Hollenbach
XENORA Horse Empowerment.
Acton Ontario
Dear Nadja,
I was astonished at the daisy wheel spurs and
roller/snaffle/link bit as well as the bridle allowed in dressage competitions
by the FEI (went to their web site). If anything indicates the sorry state of
training, those images say more than words. Also, I have been unable to find a
pretty new bridle without a crank noseband to replace my old bridles. My horses
do not look good in the clunky stuff currently in fashion (OK, call me a
"fashionista"). May actually have to buy a bridle, throw out the
cavesson and see if the cavesson from my old bridle will look OK with the new.
Or have a cavesson custom made. Rarely do I make absolute statements, but here
goes. There are NO circumstances where a horse needs its jaw tied shut. If
there are problems with tongue and jaw, then the horse has veterinary issues,
tack fit problems (saddle, bit design or placement), or its training has failed
in a fundamental way to address relaxation and throughness.
Also, the parotid gland article was a shocker!
Thanks for the heads up in the November issue, Nancy
Postscript:
Some years ago I took some clinic lessons with a senior
judge. She looked at my bridle, which had its cavesson (NO drop, NO flash) adjusted
so four fingers fit under it, and tightened it, announced to the audience,
"You have made a training level mistake!" So I faked having to go to
the restroom and led my Vulkan out of the arena, loosened the cavesson, came
back in. She was too busy to notice that I had readjusted the bridle. I never
went back to that person again for lessons. At one point in showing, I kept a
flash strip of leather only to put on in the warm-up and arena, and it was
adjusted as loose as I could make it without it flopping because one of my
classical instructors had said that you would never be marked down for faults
with the mouth if the judge saw the restricting noseband - they really could
not see how loose it was! Now I do not bother with anything but my plain old cavesson
with plenty of room for 4 fingers. But you see, the problem of how to train a
horse badly has deep roots in some professionals who know nothing but have
control over policy. As my mentor Dr. Henri van Shaik said, "People ride
how they are judged." Veterinarian Gerd Heuschmann in his new book
"Tug of War: Classical versus Modern Dressage" is very clear on the
responsibilities of judges and trainers to be guardians of correct knowledge.
This is an enquiry e-mail from Sascha Day (happydays@bordernet.com.au)
Dear editor, Firstly, congratulations and thank you for your progressive and entertaining magazine. It is my one monthly subscription I cannot do without! And secondly, a big thank you for your article on the revolutionary horseman, Alexander Nevzorov. I wonder if there has ever been a man in history such as he, who has brought such a level of awareness, enlightenment and understanding to the world of horses. Always and uncompromisingly focused on the utter wellbeing and emancipation of the horse - Alexander Nevzorov and his School will lift the horse out of a life of pain, servitude and submission into a life that is 100% complete and happy, and some would argue, as being a life that the horse has as a fundamental right to live. He brings this understanding to others for only the cost of letting go of what they think they know about horse training and simply opening their hearts to have a true friendship with their horse and genuine mutual understanding. Thank you, Alexander and Lydia Nevzorov!
Hi , I have spoken to someone in your office before. This is just to remind
you all that I am among those people eager to read your magazine, but unwilling
to sit at a computer to do so. For one thing, it took my computer 4 minutes to
download just your home page !!!!
So,
I am hoping that eventually your publisher will offer us the option of a hard
copy. I would be willing to pay MORE per subscription, but I am not
willing to spend time reading your publication on a computer. There are many
people out there that deserve to have access to your excellent articles and
who, upon reading the articles, might help make a difference for the HORSE.
Personally
I feel that if your company is really concerned about the well being of the
HORSE, you would open offer your excellent and interesting and IMPORTANT
articles to the many horsemen and women who have no desire nor time to
read a magazine on the computer.
Dear Sirs,
Att: Anja Beran The Spanish walk that appears on the video is certainly a good gymnastic for the horse and is correct. But, to be very good, it should be slower, more extension and elevation of the front leg, and, most important, it should stop for a moment when the arm is extended and enter very softly in the ground. It’s obvious that for horsemen no air is never perfect and that is the quest of a lifetime. Yours sincerely, On behalf of Equestrian Art
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