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Thursday, 28 August 2008
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April 2007
April Contents
Medenica: Making the Connection
*Can We Save Her?
Philippe Karl In North America?
*Clifford of Drummond Island
Dressage as Rehabilitation
Willing to Go Backwards
Part 3: Scared to Lengthen My Reins!
Purple Pony: Learning to Stand Up Again
*FEI Decision on Bitless Bridle
Sylvia Loch: The CRC
Letters to the Editor
Creating Tension 2
Psoas in the Horse
Rider's Leg and the Walk
Iberians: Good and Bad Stretching
Manolo: Step by Step
Making Horses Love It!
FEI Correspondence
Home
Horses For LIFE July 2008 Edition
Horses For LIFE June 2008 Edition
May 2008 Three Dead Horses
April 2008 Half Pass
March 2008 Thoracic Problems
February 2008 Morgado Lusitano
January 2008 Training the Friesian
December 2007 Nuno Video
November 2007 Alexander Nevzorov
October 2007 Filipe Graciosa
September 2007 Freedom of Movement
August 2007 Walk Aids
July 2007 Habituation
June 2007 True Collection
May 2007 Perfect Spanish Walk
April 2007 Philippe Karl in America?
March 2007 X-ray Bits
February 2007 Dancing With Horses
January 2007 Langsamer Treiben
December 2006 Draw Reins
November 2006 Kissing Spines
October 2006 Picking an Instructor
September 2006 Anniversary Edition
August 2006 Diagonalization
July 2006 Those Crazy Frenchmen
June 2006 Rollkur
May 2006 Decontraction
April 2006 Taine and Lesage
March 2006 Changing Conformation
February 2006 East meets West
January 2006 Portugal
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APRIL 2007 • VOLUME 20 • © HORSES For LIFE™ Magazine

Making the Connection

There is no doubt that it is far easier to train a horse than it is to teach a rider. The horse, after all, is quite equipped to do what he needs to do in order to function as a horse. His process of education does not culminate in changing him into something that he isn't. It might even be said that dressage changes the horse into something that he is already, only more so.

The person, however, is another story. He is not born to be a rider. He is intended to walk erect under his own impulsion. The person who wishes to ride dressage undergoes a far more complex and difficult alteration than the horse coming up through the levels. The rider has to reshape his body to both go along with, and later to influence, the horse's movement. He must open up his mind to new ways of evaluating the horse/human relationship. Most importantly, though, he has to develop a new way of feeling through his mind and body that both receives from and sends to the horse. This is a multi-dimensional sensory language with the onus on the rider. It is his job to learn a vast repertoire of instant reflexes, both physical and mental, in answer to whatever the horse gives him; not an easy task and not one which every horseman would even want to explore.

But it is the “feel” that gives dressage its compelling quality. At its best, it is a state where the purely physical is delivered with such ease that it becomes an effortless gesture of grace. Elusive though it is, it is the quality of “feel” that separates the great from the merely pedestrian horseman. It is the desire to Pat into this sensation of the horse out this derby him, that has produced a picture of selfless riding so prized by the “light” adherents. And, it is the sometimes unfathomable mystery of “connection” that enables the horse and rider to think and act as one.

Why is it that most riders achieve only the most rudimentary skills necessary to direct their horses while others rise to an unimaginable level of subtlety in their communication?





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