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JUNE 2006 • VOLUME 10 • ©HORSES For LIFE™ Magazine
“LEARNED HELPLESSNESS”
Under Pressure
The body language of the horse reveals much about his state of mind. Dr.
Illustration
The physical posture and facial expression of the horse, the movement of the ears and the expression of the eyes provide information about its well-being or discomfort – assuming that the person can understand the body language of the horse. Put another way: some physical positions into which the horse is placed put it into a particular mental state. For this reason classical training considers it to be particularly important that the rider, with his seat and aids, doesn’t disturb the horse or cause it pain, but brings it into positions in the movement in which it feels comfortable. It should be in balance, not only physically but also mentally. The effect of a hollow back with an exaggerated, upright neck on the well-being of the horse was described in the previous article (ST GEORG 05/11. P 82): The horse is effectively in a state of constant alertness, and cannot become supple, instead it feels permanently in “Flight” mode.
In such a case it can be helpful with an excited and therefore distracted horse, to ride briefly with a slightly rounder and deeper head position (the emphasis being on “briefly” and “slightly”) to release the tension. This enables the horse to round its back, and with this movement it can re-establish itself again mentally so that it can concentrate on its rider once more. Once attention and relaxation is re-established, the rider can resume normal training, with the nose allowed forward where it belongs, that is, slightly in front of the vertical.
In the history of equestrian sport there have been repeated attempts using unnatural, forced physical postures and movement patterns, referred to as “Training positions” or “Athletic exercises” to achieve mental effects with the horse. The rider can put the horse quite easily into a physical position that turns the horse into a functioning “Bundle of stress” that reacts hyperactively and moves with increasing tension. {viewonly=registered,special} It is not difficult to make a horse insecure and to unbalance it physically. Combined with “appropriate” technical or artificial aids (Draw reins, curb used incorrectly, sometimes both) it is possible to dominate the horse more effectively.
“SPECTACULAR”
If the rider gives contradictory aids, then the horse is brought very quickly to a relatively high level of activity. Confidence suffers as a result, but the movements can become spectacular. If observed carefully, one can certainly recognise from the expression of the horse that this extra activity has been bought with stress. Eyes, facial expression, breathing and overall tension expose the trick.
Similar reactions will happen if the horse is ridden in an extreme position ( the nose drawn in the direction of the chest) over a longer period of time. The equilibrium will be hugely disturbed, the natural balancing mechanism, the neck, will be unable to function. The horse cannot see where it is going, circumstances in which in a flight animal lead to mental stress. Then with the addition of exaggerated use of the curb (and draw reins), pain in the mouth, lower jaw and poll area, the vicious circle is complete. A “Panic energy level ” develops, in which the horse reacts in an extreme way.
The horse learns that the rider is not responding to its signals. It must continue, whether it is now in physical balance or not. Whether it can see or not. The head cannot be moved independently, even less so the neck. If one can imagine, that it is possible to fix a horse on the ground by rigidly holding its neck, like a predator holds its prey, one can imagine in that moment which instinct will be awakened in the psyche of the horse. The rider dominates the horse like the predator that holds it down on the ground. It is helpless. Protest, if any, is only possible by calling on all possible reserves. The horse’s discomfort can be increased by the rider –(one hesitates to describe this) who responds with particular actions, such as pulling up roughly to a halt, then immediately using the spurs, then when the horse jumps away, standing in the stirrups, leaning backwards and pulling on the reins. So the horse repeatedly learns that it is fundamentally at the mercy of the rider. In technical terminology it is called “Learned Helplessness”, acquired helplessness, in which the horse must react with exaggerated movement, because not reacting means even more stress. Particularly, horses that are near-thoroughbreds and therefore extremely mentally and physically active, become accustomed at least part of the time to this pattern of response and the associated stress. They react with the required exaggerated movement that other horses do not.
At the top level of sport one sees riders who bring their horses to a state of hyper-activation where the horse is unable to cope and then control them using the “Rollkur” technique. The horse appears at least briefly to be moving actively and correctly, responding well to the aids. Frequently problems occur later on as many of these horses finally physically having health problems or mentally disobeying because they cannot cope any more.
RECOGNISING TENSION
One can recognise from the whole way of going that these horses exist in a state of tension. This tension does not go away when the reins are long and the test or training has finished.
Often, these images originate from the inability of the rider to bring the horse, through correct working–in, including mentally, to a state of suppleness. Here one must question the trainers. As a riding instructor I watch especially what my student’s horse is telling me through its body language and I try to act as the simultaneous interpreter. Then I can usually help the rider to re-establish the harmony very quickly and to feel for himself, what effect his corrections have made on the horse. Horses repay the ending of stress, pain or hindrance, mostly with immediate relaxation. They do not take offence in the human sense, but react immediately against that which has disturbed them. The rider’s feel comprises of nothing more than the ability to enable the horse to move without stress under the rider in a physical position in which it feels comfortable, and for it to enjoy this movement.
When the horse is moving in balance, with a positive contact over a rounded back, on which the rider’s weight is causing no discomfort, and when it can use its neck to balance (if it becomes unbalanced with the rider) then it generally feels comfortable, even when it has to work more strenuously. In principle a horse does not experience difficulties when it trains hard. As an ever-alert flight animal it conditions itself naturally through movement and play.
This “Position of Well Being”, has been accepted into international regulations: The degree of collection for the level of training, the activity of the back and the neck position (carried freely) that results from the even, constant contact coming from the horse. The poll is the highest point and the nose is in front of the vertical, enabling the horse to flex as it relaxes in the lower jaw. The regulations also talk about relaxation, harmony and voluntary submission to the rider. In training this means changing in between collection and forwards downwards.
Accordingly, the judges should observe the physical appearance of the horse. Breathing, sweating, expression and harmony of the movement, tail swishing and teeth grinding are important criteria. The judge must also see: Which muscles are moving freely, which are tight and tense? Where is the movement flowing, where isn’t it? Every horse provides information about its condition through its whole physical posture. Spectacular movement, such as an extreme “electric” hind leg that comes from the hock rather than engaging from the hip, can be a sign that the horse, under pressure from the rider, is actively tensing or bracing itself. The judge must also ask if the horse and rider are really inter-acting with a “movement-dialogue” or if the horse is being mechanically controlled. Perhaps judges should also be trained to observe the signs of Learned Helplessness, or be allowed to judge the demeanour of the horse before or after the test to establish if they are dealing with a “Happy Athlete”.
To understand correctly the signs in the horse’s body and in its movement, one must learn to observe. It is the interaction of many physical and mental expressions that create the whole picture. One has to understand this language, as a rider as well as, as a judge. Exactly like some actors are convincing and others not, one can learn to observe instinctively real and false harmony in the movement and the expression and then to recognise with increasing clarity how the immediate physical and mental state of the horse may be read.
I advise every rider who wants to work with a happy horse, to train themselves to do this. One should have oneself videoed again and again. It is also important to “adjust” the feel from the saddle. Sometimes over a period of years riders programme subjectively into their “inner eye” the feeling of a tense horse as the “correct” feel and they know nothing else. One of the many possible misunderstandings between people and horses.
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June 2006 • Volume 10 HORSES FOR LIFE™ Please note all resources presented are © copyright protected by the original owners and reprinted with permission OR © Copyright Horses For Life™ 2005 to 2006 Please write to us! We would love to add your voice. Write to us on our contact page or email your letter to the editor directly at letters@horsesforlife.com |
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