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November2006
Contents
Guardian of Haute Ecole
Hans Handler:The Seat
Grelo: Starting Too High
FEI Rewriting The Rulebooks
Lifting the Lumbar Back?
80% Kissing Spines
They speak in whispers
WEGs Rewarding on ForeHand
Guardians: Airs Above the Ground
*Nouveau Baroque Horse
Attacking Horse
Thanksgiving Editorial
Rollkur:The Scariest Horse
SRS Editorial
SRS following a path
Friends of the SRS
Levade vs Pesade
Who Is Hans Handler?
Home
Volume 52 Dr. Robert Miller
Volume 51 The Circus
Volume 50 Article 401
Volume 49 Just Say YES!!
Vol 48 Path of Transformation
Volume 47 Enough is Enough
Volume 46 The First Step of Canter
Volume 45 White Lipizzaner Stallions
Volume 44 Understanding Canter
Volume 43 Counter Shoulder In
Volume 42 Success through Rider Exercises
Volume 41 The Two-Finger Rule
Volume 40 Equine Stretching
Volume 39 Science of Motion
Volume 38 Sorraia Mustang
Advertising with Horses For LIFE!
Volume 37 Trapezoid Horse
Volume 36 Klaus Hempfling
Volume 35 Karl vs. Hess
Volume 34 Collection at Liberty
Volume 33 Three Dead Horses
Volume 32 Half Pass
Volume 31 Thoracic Problems
February 2008 Morgado Lusitano
January 2008 Training the Friesian
December 2007 Nuno Video
November 2007 Alexander Nevzorov
October 2007 Filipe Graciosa
September 2007 Freedom of Movement
August 2007 Walk Aids
July 2007 Habituation
June 2007 True Collection
May 2007 Perfect Spanish Walk
April 2007 Philippe Karl in America?
March 2007 X-ray Bits
February 2007 Dancing With Horses
January 2007 Langsamer Treiben
December 2006 Draw Reins
November 2006 Kissing Spines
October 2006 Picking an Instructor
September 2006 Anniversary Edition
August 2006 Diagonalization
July 2006 Those Crazy Frenchmen
June 2006 Rollkur
May 2006 Decontraction
April 2006 Taine and Lesage
March 2006 Changing Conformation
February 2006 East meets West
January 2006 Portugal
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NOVEMBER 2006 • VOLUME 15 • © HORSES For LIFE™ Magazine





Nouveau Baroque Horse:

 Bringing Old World Romance to Modern Dressage

By Kip Mistral

If man is at his best when consciously using his skill and imagination to birth a creation that gives pleasure to the senses or pleasurably exalts the mind or spirit, he outdid himself in the 17th –18 th century Baroque era in European art and design. The word Baroque (from Middle French barroque and Portuguese barroc) refers to an irregularly shaped pearl and, interestingly, was employed to suggest the variety of characteristics—from dramatic to bizarre to over decorated—that comprised this style of artistic expression typified by use of complex forms and dramatic ornamentation.

 Fortunately for us today, that insatiable Old World appetite for extravagant, flamboyant beauty lives on in four horse breeds which were all developing into their own art forms throughout the Baroque time period: the Andalusian of Spain, Lusitano of Portugal, Lipizzan of Austria, and Friesian of Holland. These noble horses of flowing tresses, majestic carriage, proud sweet spirit and the ancient soul of the war horse are now commonly referred to as “Baroque.” The practice is appropriate enough, because while they share an Iberian heritage, the four breeds display the wide variety of characteristics of their namesake, the gleaming, richly sensual and always unique baroque pearl.

To drink in the beauty of these horses is to drink in a potent elixir distilled from their histories, stories fascinating and romantic that illuminate the significance of their value. And not least they stand as testament to the artistic passion of humans who not only created lines of special horses but dedicated generations of caretakers, always holding the future in mind, to nurture and preserve them through the ages and for the ages. Today, in the field of dressage, where ultimate obedience is required of a horse but the look and feel of restrained fire is valued, it is little wonder that modern riders are turning with rapidly growing interest to the Baroque horses whose qualities, as those of fine vintage, have only mellowed with time and the enduring devotion of their guardians.

The Odyssey of the Iberian…





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